Keep Your Memories Safe In A Photo Album

By [http://ezinearticles.com/?expert=Shane_M_Martin]Shane M Martin
Whilst it's clearly a good thing for people to be able to take as many photographs as they like, it does create something of a problem in terms of storage. Virtually every moment of every holiday can now be captured, for example, or each detail of a family party and get together, and what this means is that there are literally hundreds of photos which need to be stored, saved and looked after. In years gone by, photo prints were produced by specialists such as chemists or dedicated laboratories, and this meant that the actual physical roll of film had to be posted away or delivered in person. There would then follow a period of several days or even weeks until, eventually, the actual photographs could be picked up or delivered via the post. Photo developing of this type was also fairly expensive and this combination of features led to people having to pick and choose which photographs they chose to take and then have developed.
Online photo printing, on the other hand, is as easy as actually taking the pictures, in that all it involves is uploading the images to a website and then choosing which you actually want to have printed. Not only is this type of photo developing quick and easy but it is also very inexpensive, offering value for money as well as convenience. The storage of your photos is also something which the technology can help with, since it's extremely easy to arrange your images in a digital photo album which can then be accessed at any time and also shared with friends and family all around the world. You may want to collect all of your holiday pictures in one place, or every shot of your children as they grow up, and doing so will ensure that they are safe, secure and available to be viewed whenever you choose.
Despite the onward march of technology, however, and the myriad different ways in which it is now possible to view photographs, there are very many occasions when people still wish to have photo prints. For extra special memories or particularly precious images, only an actual physical copy of the photograph will seem good enough, and the ease with which digital photo prints can be ordered and produced means that this can be easily organised. Once you've decided you want to have an image printed, the fact that it is stored digitally means that you can go back time and again and have it reproduced as many times as you wish and in a wide range of different formats, whether it's as a work of art on canvas, a t-shirt, a photo mug or any one of very many other gift ideas.
The storage and reproduction of photographs has simply never been easier, and the use of technology means that there is now literally no limit to the number of photographs you might want to take. No longer do you have to ration yourself and wait for just the right moment whilst hoping to get lucky with the picture, you can snap away to your heart's content, safe in the knowledge that every one of the pictures will be available for you to access, should you wish.
Whether you wish to have only a few photo prints of particularly special images, or very many to take out and enjoy whenever you wish, the convenience offered by digital photo prints will be something which you'll greatly appreciate. From special memory to much loved photograph is a journey which has never been shorter or simpler.
So keep your memories safe in a [http://www.bonusprint.co.uk/]photo album or [http://www.bonusprint.co.uk/pages/photo_books_digital_prints.htm]photo book
Article Source: [http://EzineArticles.com/?Keep-Your-Memories-Safe-In-A-Photo-Album&id=6632867] Keep Your Memories Safe In A Photo Album

Digital Photography Technique Guide for Budding Professionals

By [http://ezinearticles.com/?expert=Tim_CB]Tim CB
Introduction
Hello there.
This is an article for those who would love to know more about that box of tricks called a camera! Not just information for the sake of it, but information that does something! That little box of mysterious tricks that captures thousands of photographs only to end up stored away and forgotten in some form of computer directory or cardboard box, rarely, if ever, looked at again!
The usual summer time happy snapping with a 'whirr, click' and on hearing that mechanical sound, sensing that you will produce just another 'point & shoot' image that will only be forgotten about or even deleted! Fed up with the same old boring images, taken a million times before which results only in the camera being stowed away for yet another year! That's if you're not like thousands of others who buy a new one when you have a perfectly functional camera already, only to repeat the same disappointing process again the following year!
Images taken with little or no application of the properties and functions being applied! Images taken with little or no idea of framing, speed, aperture or focus being set correctly! An item that rapidly becomes just another boring tool that is put away in some dark recess and forgotten about until the next birthday or celebration of some kind! A box of tricks that remains just that - a box of mysterious tricks!
For want of a few basic but important skills by the operator in order to produce images that are good enough to generate a burst of interest that leads to developing better skills and better images! Another thing - you do not have to wait the interminable wait, for the sunny weather to produce some truly memorable images! Personally, I switch to creating grey-scale or black and white images when the sun is hiding! This is a much ignored area of photography in which we can create some really stunning and dramatic images!
And not to insult anyone but when you bought your camera, whatever model it was, did you read the instruction manual that came with it? Probably not! As an Information Technology Mr Fix it for a large Information Technology company, it never ceases to amaze me that people simply do not read the instruction manual. This is not just for cameras and computers but anything electronic, such as vacuum cleaners, video tapes, I Pads, I Pods, mobile phones etc!
A bit of interesting information
Before moving onto the subject matter of learning a number of properties that expand our skills range in using camera's, there is a fascinating fact to these images we take and the very same unwanted, unloved photographs, could quite possibly be worth money and quite a bit of it! And before anything else, this does not involve signing up with agencies or acting as a freelance photographer or anything of that nature. In fact, you don't even have to create a web site in order to do it! More details on this later!
Although we take images to present early after taking them, those that are stored away I like to equate old photographs to antiques! Every now and again, as we see on TV, someone with an ancient piece of furniture or an artifact for professional evaluation and is stunned to find that it's part of some long, lost lineage that's worth literally thousands of pounds!
Now, that's not to say that a single photo hidden away in your photo storage or even a series of photographs is worth thousands of pounds or dollars in a single evaluation but there are ways to make money from them! Nor does it involve being a professional photographer with affiliations to hundreds of agencies paying for them!
Still a mystery?
In spite of camera's having been around for quite some time and the fact that millions of us have them, the properties and functions of how they operate are still something of a mystery! This article directs you to a Free Report that demonstrates in a simple way a few important but basic properties that will expand your knowledge and improve your skills in image taking immeasurably in a short space of time!
We may well recognise terms such as shutter speed, aperture, f-stops etc but they are words and phrases that mean little to many and yet they are fundamental properties in understanding how to take an image professionally if we are to make even the most basic use of this expensive item we have! Just a little time spent learning these in an understandable way can make all the difference!
To obtain this information that will propel you from being a happy snapper to someone who can show their images with pride and be envied by friends and family alike, please see the link below.
Thank you,
T Binsted
For your Free Report / Guide, please click here: http://www.prodigicam.com/
Article Source: [http://EzineArticles.com/?Digital-Photography-Technique-Guide-for-Budding-Professionals&id=6632171] Digital Photography Technique Guide for Budding Professionals

How To Choose The Right Picture Frame For Your Photographs

By [http://ezinearticles.com/?expert=Autumn_Lockwood]Autumn Lockwood
You might be like most people who take many pictures with their digital camera but really never get around to framing them. The pictures that are printed typically end up in a picture album, tucked away in a cabinet. There are those pictures, however, that are just so good that you have got to show them to some of your friends. Those should each be put into a picture frame and exhibited on your desk at work, above your fireplace, or in a different special location in your work place or house where you will be able to show people how beautiful your daughter is, or how silly your puppy is, or how sweetly your newborn baby smiled when you took a certain photo.
And although it is the picture itself that will ultimately connect with anyone who views your photo, the picture frame will affect how well the image is received and how memorable the photo is in the thoughts of it's viewers. For this reason, it is very important to choose the correct frame to showcase the shots you love the most. The ideas that follow will help you to pick out a frame that accentuates the picture that it holds.
• Pick a frame that matches well with the area in which it will be placed. Corresponding your frame to go with your room is a smart move from a decorative standpoint. It may be true that the photo is fantastic, but one of the reasons to display the snapshot is to make a certain location look even better. A matching picture frame can enable you to accomplish that goal.
• The frame should enhance the photograph. The frame for your photo has a lot to do with how the photo is presented. The colors in the frame should go well with some of the colors in the picture. For example, you wouldn't want to frame a picture of your little niece in red and green Christmas play dress in a frame that is pink, right?
• Less can in fact be more when it comes to picture frames. You do not want the frame to overpower your picture. Numerous picture frames today may be ten times larger than the picture that they hold. Is this the best way to exhibit your photo? Interior decorators are of the opinion that it is not. If you are uncertain, select a less showy piece which will complement the area without stifling the natural beauty of the image itself.
• Buy an important picture frame for an important event. Never skimp on the frame that you will put important photos (or documents) in. For instance, when looking for a frame to hold your wedding picture or the college degree you worked so hard to earn, find a frame that is as substantial as the photo or document that you are going to place in it, and that will continue to keep intact a specific moment in your life.
• Allow your personality to sparkle through. Whatever kind of picture frames you think you should use for a selected picture, the vital thing it really comes down to is pleasing you. If you end up satisfied, then you will treasure both the photo and the frame for quite a long time.
From color coordination to different styles, there are many different factors that will enable you to choose just the right frame to showcase your picture perfectly.
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Article Source: [http://EzineArticles.com/?How-To-Choose-The-Right-Picture-Frame-For-Your-Photographs&id=6640352] How To Choose The Right Picture Frame For Your Photographs

Personalised Calendars Make Every Day Special

By [http://ezinearticles.com/?expert=Shane_M_Martin]Shane M Martin
Personalised calendars, on the other hand, are just as useful as the mass produced shop bought variety whilst also being designed with you and you alone in mind.
It's almost certain that you've got a monthly calendar somewhere in your house. Whether it's stuck onto your fridge, put up on the wall of your kitchen, or sitting on the desk where you do most of your work, it will be something that you'll look at virtually every day of the year. At the start of the year you'll jot down every important birthday you can think of and then, as the weeks pass by, any appointment that you need to remember, from trips to the dentist to parents evenings and dinner dates.
It seems a shame, then, that photo calendars such as this are, for the most part, deeply uninspiring in appearance. Whether it features anodyne pictures of kittens and ponies, or bland landscape shots, the chances are that the photo calendar you use is something which has been chosen purely for practical purposes with the appearance being a factor which you're willing to grudgingly put up with. Thanks to digital photography, however, and the flexibility of the images produced, this no longer has to be the case. Not only is it possible to make your own calendar, using images of your choice, but it's actually very easy to do so, and the resulting personalised calendars will be objects of both beauty and usefulness which are manufactured to the highest possible standards and built to last for many years to come.
The only 'work' you'll have to do when calendar printing is to choose the images which you want to feature. Many people build calendars around favourite images of their children, perhaps matching the pictures to the month in question, whilst lots of others opt for shots of their favourite landmarks or beauty spots. The software which is used to put the calendars together means that absolutely no experience or ability is necessary in order to design the layout, with all of the options being laid out clearly and simply. It's up to you whether you opt for a landscape or portrait format, and whether each month has just the one large image or a selection of smaller photographs.
You can also decide if you want to have the text of the calendar printed over the top of the imagery or separately, and add special details such as small pictures of people printed on the date of their birthday. The key to calendar printing lies in this very flexibility, because it means that the finished product will be precisely what you want it to be. That's why people often choose to give these calendars as gifts, because they can be shaped and designed to match exactly with the likes and interests of the person you're giving it to. On Father's Day, for example, you might wish to make one for your dad which features pictures of him taken throughout his life, or perhaps of his favourite places, such as his teams' football ground or the local in which he likes to sink a pint every now and then. It can even be printed to start on a month other than January, making it unique in every way and meaning that it will bring pleasure each and every time it's consulted.
Rather than having to put up with a run of the mill [http://www.bonusprint.co.uk/pages/calendars_digital_prints.htm]photo calendar which does the job but nothing more, make one of your own using images which will lift your spirits every day of the year.
Article Source: [http://EzineArticles.com/?Personalised-Calendars-Make-Every-Day-Special&id=6630238] Personalised Calendars Make Every Day Special

Wildlife Photography Using Trail Cameras

By [http://ezinearticles.com/?expert=R_Laurin]R Laurin
If you enjoy nature and the little (and sometimes not so little) creatures that live in it - wildlife photography can be an extremely rewarding pastime. Often times though, finding and viewing animals in their natural environments can prove frustrating and extremely time consuming. Since animals are generally very sensitive to minute changes in their environment - getting close enough to observe animals, let alone photograph them - can prove challenging even for the stealthier among us. Some animals are so afraid of humans that it's nearly impossible to photograph them up close.
For wildlife enthusiasts - trail or game cameras provide an excellent way to document and view animals, especially the shy or rarely seen. These cameras generally work using infrared flash technology to create a undetectable flash which still allows you to take perfect photos even in very low, or no light conditions! This not only provides a safer way to view some species (bobcats, ocelots and mountain lions to name a few), it also allows us to view the animals without disturbing them or their natural behavior and environment - which, for the most conscientious wildlife watchers is a must!
So how do photography and nature enthusiasts get around these inevitable issues? With advances in digital photography capabilities in recent years - trail or game cameras may very well be the answer! Already in use by serious wildlife photographers - these cameras can take high quality digital images and have excellent night time shooting capabilities. Many of these trail cameras also produce images that have information about the temperature, moon phase, time, barometric pressure, date and the camera that the picture was taken with included right on the photo itself!
While pursuing this rewarding pastime, one should keep in mind that wildlife watching is not necessarily limited to the forests, deserts, swamps or mountain ranges around our homes. There's great wildlife watching to be had even closer to home, literally - right in our own backyards! Wildlife cameras in your backyard can be positioned in bird boxes, mounted on the side of a house/shed or ground mounted to capture footage of animals at every level. You might end up surprised at the life cycles of animals on and around your property, and potentially even more surprised at what could possibly walk through your backyard when you're not around!
Game or trail cameras provide a much better option for observation by allowing the animals to interact naturally - and potentially landing some amazing images of wildlife in action!
Ren�e Laurin
Absolute Automation Inc. http://www.absoluteautomation.com
Article Source: [http://EzineArticles.com/?Wildlife-Photography-Using-Trail-Cameras&id=6631530] Wildlife Photography Using Trail Cameras

Professional Photographers For All Ages

By [http://ezinearticles.com/?expert=Mark_Middleton]Mark Middleton
Of course you know there are glamour-shot photographers for teenagers, baby shots and weddings, but what about that photographer you find that is good for all ages? There are plenty of professionals out there that have the skill level to be able to do it all. There are photographers that are skilled enough to work dynamically rather than focus on one cookie cutter category.
There are photographers that are skilled enough to work dynamically rather than focus on one cookie cutter category. They know what to do to photograph age groups appropriately to catch them in the right light and give the pictures the perfect amount of character and mood.
For babies and toddlers they can do photography studio or location shots that best fit your family's personality as well as your baby's. Taking a baby to the beach or the playground for some action shots is not a problem for professionals. They catch your child at their best moments and capture it on film.
Teenagers might want to choose their own look. Whether they are into fashion, or are feeling more laid back there are different ideas to discuss and agree upon together as a family. Often times there will be a hair and make-up artist present to perfect the shoot. Things like acne, age marks and fly away hair can be edited out to make a perfect senior photo or prom picture. The events of a teenagers life are popularly photographed by hired professionals because aside from looking great and lasting forever, they help a teenager's self esteem.
Entire family photos make for the best memories and can even bring your family closer together because of the bonding experience of doing something together as a family. Having photos taken is about capturing the memories in the best moments possible. Use these photos for Christmas cards, around the house or as gifts to extended family.
Use the same photographer over the span of an entire childhood. A scrap book of your child as they grow up over the years is a precious gift to show at events like their wedding, or to show to their grandchildren. Family photo albums, as well as individual person albums are great for watching people change and develop. Making memories are what life is all about.
Not only are they skilled in work with different age groups but they also acquired an impressive collection of equipment. They will get clarity and quality shots from their equipment that you will never be able to achieve with your home digital camera. Off the shelf cameras have the same pixel count, but it's about the way they light the shots and the unique lenses that they are trained to buy and use for specific shots.
Having a house full of photos of your family will drastically brighten the mood of the house. A photographer is committed to provide you with the best quality shots to have everyone looking their best. [http://www.kimcrenshawphotography.com/blog/index.php/galleries]Photography Locations Cary [http://www.kimcrenshawphotography.com]Baby Photography Studio Durham
Article Source: [http://EzineArticles.com/?Professional-Photographers-For-All-Ages&id=6629921] Professional Photographers For All Ages

Professional Photo Labs Offer Professional Photographers Valuable Training and Marketing Assistance

By [http://ezinearticles.com/?expert=Steve_Freund]Steve Freund
Professional portrait photographers looking for marketing assistance, photo-shop training or camera room techniques should check out the resources at their professional photo lab. Many of today's top pro photo labs offer the professional studio photographer personal one on one marketing and training assistance. Contact your pro labs customer service department to see what they can offer your business.
One example idea, how to get free sample display prints. Contact some of your previous studio customers explaining that you are going to have a special photography gallery display at a certain location. Describe the theme of the event and let your customer know you will be offering special portrait sessions and discount display prices for portraits that will be included in this gallery display. Make several 'display sizes' available to your client. Naturally your customer will receive this portrait after the gallery show is finished. Picture frames could also be included in the display discount and should be.
The portrait studio owner gets the chance to have a gallery show funded by new sessions and portrait purchases from previous clients. Their clients get a savings and the excitement of being included in this special show. The excitement of being included in your gallery show is the strongest motivator for your client to participate in your display. Clients should be given a few invitations that they can send to their friends announcing the gallery display opening.
One more important tip, one way to stay ahead in today's professional portrait market is with the highest quality professional photo printing available. Of course top quality Kodak photographic prints require the very best high quality digital image files. Your pro lab mentor is a good resource to pick up the latest techniques and settings in digital camera file processing. Using your cameras raw file option combined with Adobe Software's Camera Raw plugin or Lightroom 3 software are good choices to achieve finely tuned high quality digital camera files.
Your pro lab can provide you the optimum settings to use during your camera file processing work. Here is a good opportunity to have a few test prints made to verify that you are setting the ideal values for shadow and highlight detail in your camera files. Maximum printing detail for shadows and highlights do vary somewhat between printing systems and technologies. For those professional photographers who are striving to produce the very best, no compromises products these steps are important.
Steve Freund is a professional photographer, sales trainer and digital photography technical consultant. His clientele include professional photographers and professional photo labs throughout the US. For more professional photography tips and marketing ideas or information about quality [http://pechmanimaging.com/]professional photo printing services contact Steve at http://pechmanimaging.com
Article Source: [http://EzineArticles.com/?Professional-Photo-Labs-Offer-Professional-Photographers-Valuable-Training-and-Marketing-Assistance&id=6624459] Professional Photo Labs Offer Professional Photographers Valuable Training and Marketing Assistance

Insist On Photo Calendars Which Are Beautiful As Well As Useful

By [http://ezinearticles.com/?expert=Jenifer_Stevenson]Jenifer Stevenson
A calendar hanging on the wall or stuck to the fridge is absolutely crucial to the smooth running of virtually any home. It's a low-tech device which makes it incredibly easy to jot down and then access any important dates which you wish to remember, whether they're dentists appointments, the start of a school half term or the date upon which you need to renew your car insurance.
The actual appearance of the calendar, however, is generally the last thing that anyone considers and this is a shame, since it's something that will be looked at each and every day. Personalized calendars meet the 'usefulness' criteria whilst also being a delight to actually look at.
In years gone by the idea of making your own calendar was something which was confined to schoolchildren and perhaps a few arts and craft specialists. The uptake of digital photography, however, has changed all of this. Taking and storing pictures electronically means that designing and printing personalised photo calendars is now not only quick and easy but is also something which most people who do it will actively enjoy. The finished product, whilst still enabling the user to keep track of every aspect of their busy life, will also offer a unique expression of the personality of whoever took the time and trouble to put it together.
Whilst the type photo calendars that can be purchased on the high street undoubtedly fulfil the basic task required of them - which is to say they allow users to write down birthdays, anniversaries etc- they almost always leave a lot to be desired in terms of their appearance. Unless you're a teenager who wants a calendar which comes complete with full color shots of their favorite pop star or footballer, or else someone who is fond enough of kittens or puppies or ponies to want to have to look at them every single day of the year, then it's almost certain that the photo calendar which takes up a prime position in your kitchen or on the desk at which you work will be something which you don't enjoy looking at. Personalized calendars put an end to this situation, offering all of the advantages of the average calendar and improving upon them immeasurably by using images from your own collection of photographs. What this means is that every time you have to check a date, jot down a reminder or cross off a birthday, you'll have your spirits lifted by looking at something personal which is in some very real way meaningful to you. The use of computing power has moved the world of self-publishing within the reach of just about anybody, and photo calendars are a fantastic example of this phenomenon. Using the software provided users can select which photographs they wish to use from their own collection. They may wish to base a calendar around family snapshots, or perhaps put together a 'Local Calendar' featuring a shot of a different local landmark on each of the months of the year.
Whatever the nature of the images you wish to use, you'll be able to pick and choose the precise layout of the pages, and even alter things to the point where the actual calendar can be designed to start on a different month of the year from the traditional January. Once you've designed your calendar, it will be printed and put together to a standard equal to, if not better than, anything which shops on the high street are able to provide. Whether you choose to keep the calendar yourself, or give it as a much appreciated gift, it will be something which demonstrates the fact that no item is so small and trivial that it can't be made better by giving it that personal touch. Every time you look at it, you'll be reminded of your favorite people, places or times.
Making and printing photo calendars is now something that absolutely anyone can do, and the results are objects that will brighten every home, lift every day and bring pleasure throughout an entire year and for many more years to come.
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Article Source: [http://EzineArticles.com/?Insist-On-Photo-Calendars-Which-Are-Beautiful-As-Well-As-Useful&id=6632932] Insist On Photo Calendars Which Are Beautiful As Well As Useful

5 Lightroom Tips You Must Know

By [http://ezinearticles.com/?expert=Deric_Cain]Deric Cain
I have been using Lightroom for a couple of years now and it is a very powerful program, especially if you are a wedding photographer and you have a large quantity of photos to cull and edit. Not only is it great for organizing you photos, but it is very good for editing them. It is most advantageous when used to edit RAW images because, as we know, RAW images keep every bit of information stored just as the image was shot. This is not to say that it is not good for editing.jpg, but you will not unleash the true power of Lightroom until you start editing your RAW files.
I'm going to share with you 5 tips about Lightroom that I feel you must know to improve your image workflow and also your editing capabilities. These are tips that I have accumulated over the couple of years that I have been using Lightroom and they help me tremendously. So, without further delay, let's get to it!
1. Use Brightness Instead of Exposure
Okay, okay... so the header of this tip is a little misleading. I am in no way saying to use brightness over exposure all of the time. But, there are times when you will have more control over your image when using brightness, opposed to exposure. The difference between brightness and exposure is that exposure takes priority on shifting the highlight range of the image. Say you take a landscape picture and everything is a touch underexposed, except for the sky. If you bump the exposure up by using the exposure slider, then you will potentially blow out the highlights and this is because when using the exposure slider, it increases the highlight area more than it does the rest of the tonal range in the image. Now, if you use the brightness slider, you will shift the tonal range evenly. This has the same effect when darkening and image, or lowering the exposure. You will notice that the exposure slider takes priority of the highlights and lowers them more than the rest of the tonal range. Don't believe me? Give it a shot and see what I mean. Take two of the same images, load them into Lightroom and look at the difference between brightness vs. exposure. By the way, +50 equals one stop of light on the brightness slider and +100 would be 2 stops of light, and so on and so forth.
2. Control Your Use of the Clarity Slider
The clarity slider can really make the details in an image stand out and also help out with inherent blur from the camera. What the clarity slider does is look for contrast in the middle of the tonal range and boost the contrast. In images with a lot of detail this can really make a huge difference. I usually set mine to +30 for starters and then gauge it from there. Now, there are times when you will not want to bump the clarity slider up because it can counterproductive. If you are editing a portrait, you will more than likely not want to bump your clarity slider up. As we know, every person has pores and those pores just happen to be in the middle to upper tonal range, which the clarity slider affects. When you are trying to get nice, smooth skin, you should try backing off of the clarity slider and seeing what it does to the skin. I usually start with -15 and make changes from there. The good thing is that you will not lose detail overall in the image, unless you make a dramatic adjustment, but you will start to see the skin smooth out quite nicely. With a few more adjustments, you will have some really smooth skin that look very pleasing. This brings us to our next tip...
3. Use the Adjustment Brush for Smoothing Skin
This is a feature of Lightroom's that I think is far better than anything Photoshop can accomplish, and it is much faster too. When trying to smooth the skin of a nice portrait, just grab the adjustment brush by pressing K and then click on the little arrows (one pointing up and one pointing down) to the right of "Effect:", and click on "Soften Skin". This will change the settings of the brush to lower the clarity and also lower the sharpness. I paint over the subject's face, being careful not to paint over the eyes, eyebrows, lips, or hair. Don't worry, if you do paint over one of these features, you can hold the "alt" on PC, "option" on Mac, to erase your brush strokes. Another quick tip is to press "o", for overlay, to see where you are painting. This will show the red mask of the areas that are painted. Once you paint where you want, turn the overlay mask off by pressing "o" again, and then adjust your clarity and sharpness sliders for your brush to get the overall intended result. Remember, don't overdo it. You do not want your subject to look fake.
4. HSL Works Magic for Skin Tones
As a wedding photographer, my goal is to always give my subjects pleasing skin tones. If I happen to have to correct the exposure of an image, chances are that my skin tones are going to need to be adjusted further than just white balancing. Of course, we all want to shoot a perfect exposure every shot that we take, but unfortunately, this just doesn't happen, or at least not for me. So, when I have to adjust the skin tones, I head to the HSL panel for the rescue. With an underexposed image, I start off by de-saturating the skin tones just a bit. Not too much or you're your subject will look like they have grey skin and we don't want that and I'm sure your subject doesn't either. The best way to do this is to grab the target selector tool, which looks like a target and is in the top left side of the HSL panel. Grab on the subjects skin and drag down. This will target only the colors that you grab with the target selector. Once you have lowered the saturation a bit and got it looking decent, I move to my luminance and brighten things up a bit. This will really make your subjects skin glow. (And it will glow a LOT if you are not careful.) This takes a bit of practice but you will get the hang of it by trial and error. This is probably the most complicated tip and takes some getting used to, but it will really help your workflow once you get the hang of it.
5. Post-Crop Vignetting
I absolutely love Lightrooms Post-Crop Vignetting tool. In my opinion, it applies the most natural looking vignettes of any method that I have tried, and I have tried a few. There is something about a good vignette that helps make and image complete. It takes your eyes and pushes them to the center area of the image and keeps them from going outside of the photo. This is another feature that I believe is better than anything Photoshop has to offer, because it looks so great and you can add one in about 5 seconds. I will give you a recipe that I often use. Once you are through editing your photo, scroll down to the "Effects" panel and use there settings for your vignette. Amount = -52, Midpoint = 67, Roundness = +20, Feather = 50, Highlights = 0. This should darken the corners just a little without interfering with the rest of the image.
Those are my 5 Lightroom tips that I believe every photographer should know, especially   rel=nofollow [http://www.dericcainphotography.com/index2.php#/home/]wedding photographers. Please e-mail me and let me know what you think. I would love to hear your feedback and I would be more than happy to answer any questions you may have. Until next time, happy shooting!
Deric Cain Photography is a professional portrait and wedding photographer providing maternity and newborn photography, engagement photography, wedding photography, high school senior portraits, children and family portraits located in Pensacola, Florida.
You can also subscribe to our [http://www.dericcainphotography.com/blog]Pensacola Wedding Photographers blog!
Article Source: [http://EzineArticles.com/?5-Lightroom-Tips-You-Must-Know&id=6633921] 5 Lightroom Tips You Must Know

The Importance Of Exposure Lock And The Flash

By [http://ezinearticles.com/?expert=Kalyan_Kumar]Kalyan Kumar
Digital cameras today continue to be upgraded. For this reason, it pays to learn about your digital camera's functions to be able to capture clear and beautiful images.
Many owners, particularly those who are not really into photography, have the habit of just clicking away to get photos. But if you find the time to know your gadget better, you will eventually find it interesting to experiment with your shots.
Two of the most important features of a digital camera are the exposure/focus lock and the flash. These two play vital roles in ensuring you get clear images of whatever it is you want to capture.
The exposure and focus lock feature is available in every point and shoot digital camera. Where do you find this and how do you use them? You will know that the auto focus and exposure have been locked when you push the shutter-release button down just halfway. When this has been done, you are now free to move your camera and take shots without having to worry about the focus or exposure. You just have to press the shutter button all the way down if you're ready to take a picture of your subject.
The exposure part adjusts the brightness of your subject. As an example, it will make an image darker if the light is quite bright. It will also make the image brighter if you're taking photos of something dark.
To ensure that your brightness is just right, you can experiment with your images. Take several photos of your subject and compare. If the first shot is a bit dark, take another one by locking the exposure on the person's clothes or his face. That will do the trick.
To lock your camera's exposure, do the same step as when locking the focus. Press the shutter button halfway and then recompose your subject. It would also be a good idea to pre-focus for faster shooting.
Did you know that locking the focus and exposure actually makes your camera work faster? It is because the gadget is already making calculations and just waiting for you to press that button all the way down to get that shot.
As for the flash, digital cameras differ in the control location. Some have a separate button for this usually indicated by a lighting bolt icon. In some cameras, however, the flash control is included in the menu so you need to read the manual carefully to know where to find this. Once you learn about this, check also the flash options.
Experts recommend not using the auto flash mode. This feature normally lets the camera use the flash when it wants to. But if you know what you want in your images, you can avoid using the auto flash setting and just use the natural light. The flash should be used only when there's not enough light or when there are very dark shadows. Keep in mind, however, to use only the flash-on mode and not the auto setting.
Now that you know these camera features, you should be able to take better images moving onwards. Happy snapping!
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Article Source: [http://EzineArticles.com/?The-Importance-Of-Exposure-Lock-And-The-Flash&id=6645743] The Importance Of Exposure Lock And The Flash

Taking Phoenix Photography To The Next Level!

By [http://ezinearticles.com/?expert=Natile_Freeman]Natile Freeman
There is so much to do in, and around, Phoenix, Arizona. Beyond the beautiful natural scenery, the city has numerous events to keep residents and visitors entertained year round. From fashion week to festivals, sports to holiday events, there is always something going on. For photographers, it offers the chance to step out and add to their portfolio. There is so much more to Phoenix photography than just the nature shots.
Not that there aren't plenty of beautiful sights in the area that provide breathtaking views, but sometimes a photographer needs to step out. Move beyond that common, predictable scenic shot and have a little fun. This area can easily provide the chance.
Candid shots are a wonderful addition to any portfolio. Head out to one of the various holiday celebrations or annual parades. The fun and excitement can be felt and will show with each shot. This city is never at a loss for events to choose from. Whether it's fireworks, a beer stein, a laughing child or waving flag, there are plenty of opportunities to put an individual spin on that event through pictures.
Then there is the portrait that can be taken. The city is a mix of people from all walks of life. Take advantage of this and snap some shots of people in their element. It could be the local pizza maker tossing some dough, or a couple sitting on a park bench enjoying the weather. This allows for the chance to tell a story from an individual point of view.
Don't forget the landmarks. Phoenix has plenty of those. The downtown area alone can provide various sights like the Wesley Bolin Memorial Plaza, CityScape and Arizona Center. Visit in the daytime and then again in the evening and get a completely different prospective.
For the sports minded, there is a plethora of photo opportunities. No matter if it's college or pro, Phoenix offers just about all the sports out there. Hit a tailgate party and get caught up in the excitement. There's an abundance of pictures that can capture it. From athletes to fans, there will always be a shot to take.
So often people head out and shoot the ordinary. Go to Arizona and shoot the landscape. Yes, it's beautiful, but it isn't the only thing the area has to offer. Phoenix photography is a great place to break away from the ordinary and spice up that portfolio.
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Article Source: [http://EzineArticles.com/?Taking-Phoenix-Photography-To-The-Next-Level!&id=6635384] Taking Phoenix Photography To The Next Level!

Transformation Magic of Photography

By [http://ezinearticles.com/?expert=Gary_Davies]Gary Davies
Have you ever been to a pictorial session? Pictorial sessions may be done by ordinary people who want to keep a tangible record of an event or relationship.
Some couples undertake pictorials of themselves just before they exchange vows in matrimony. For some reason, they want to keep a memento of their last days as "singles". The underlying factor is probably the youthful and blissful countenance written all over their happy faces, full of love and anticipation for the matrimonial union that will seal their relationship "forever". (I wonder how, when after a few years into the marriage, most couples lose most of the light-heartedness and wonderful aura that comes with being in love. Is love really lost in married couples as the years go by?)
Movie stars and would-be movie stars, including promising movie stars, some with only the "promise" remaining later in their lives, bask in the glare of klieg lights and the happy confusion in pictorials that would promote their "stardom" and worth to movie fans, agents, directors, producers and whoever it is who calls the shots in show business. They show off their wares to awe spellbound fans and impress the demigods in the filmmaking industry with fantastically beautiful faces and bods.
Somewhere in the glitzy-ritzy world of fashion, models do the same thing and often successfully attract the attention of "talent" scouts and operatives of movie moguls via fairy-tale-like photo shoots done with powerful photography equipment by top-rate photographers who can transform ordinary faces into majestic beauty-queen splendour.
Families, too, take part in pictorials of once-in-a-blue-moon happenings or important family gatherings that are worth remembering. They bring tears of happiness and/or nostalgia many years after. Whenever such pictorials are to take place, family leaders employ professional photographers who wield "magic wands" and produce awesomely wonderful shoots of otherwise plain and ordinary settings. Some are fortunate to have gifted members of the family who can take photos not unlike those of professionals, at minimal or no cost at all.
There is one that requires very high level of skills and patience. Wildlife photography involves subjects that cannot be made to pose the way a photographer would want them to. These animals are in their own natural habitats which are beyond the control of the wildlife photography virtuoso. Using powerful and state-of-the-art equipment in rugged terrains, the wildlife photographer, with utmost concentration and intuitive skill transforms even the deadliest of creatures to beautiful photographic objects of art, moving the spirit of nature lovers and never failing to awe its viewers, young and old alike.
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Article Source: [http://EzineArticles.com/?Transformation-Magic-of-Photography&id=6646370] Transformation Magic of Photography

Learn HDR Photography Using a Point and Shoot Camera

By [http://ezinearticles.com/?expert=Thom_Richards]Thom Richards
If you are wanting to expand your skills with a point and shoot camera nothing is more intriguing than High Dynamic Range Photography or HDR. It's a blast!
OK! What is it? It involves combining usually three or more photos, of the same subject, taken at three different exposure values and then combining them.
What's so cool about this? Think about taking a photo inside of a barn, aiming your camera toward a window on a bright sunny day.
You may pick up some detail in your photo from inside the building, but anything from outside the window will be way too bright and indistinguishable. In photographic terms this means that the detail outside the window would be "blown out".
When you are in this building your eyes adjust to details, not only what's inside, but also to details outside the structure. Simply, a camera cannot interrupt all these details at the same time with one normal exposure. This is where HDR Photography comes in!
So, If you can take one exposure (normal exposure), a second exposure (over exposure), and a third that is (underexposed) and then combine them you will have all the details that the eye can perceive. Does this make sense?
Then using a special software program, all three exposures are then processed together, and a finished HDR photo will result with wonderful detail and tone quality that could not be done with just one normal exposure. You'll be impressed!
With a simple point and shoot camera and as long as it has an Exposure Value (EV) meter you are in luck. Check your manual on how to bring up the meter.
On most P&S cameras, your meter will have indicate a zero setting (0) and to the right of this, the overexposed side, will read +1 and +2. The underexposed side of the (0) will read -1 and -2.
Also, if you use a P&S camera you must use a tripod to shoot HDR. It's almost impossible to hand hold a camera, change settings and perfectly line up the shot again without some type of distortion. The camera must be held steady as a rock!
Turn off all the automatic stuff, e.g.; automatic flash. Make sure to take the first shot at an EV setting of 0. Go to your EV meter, without moving the camera and dial in +2. Press "OK' on the menu. Take the shot.
Once again go back to the EV meter, without moving the camera and dial in -2. Press "OK' on the menu and take the shot. Remember to return your EV meter back to zero when finished.
You now have a photo taken with three different exposure values and are ready to be processed to convert them to HDR. There are plenty of free trial HDR software programs for you to try. It's worth investigating to find out which one is for you and to see if High Dynamic Range Photography is "your cup of tea".
Thom Richards is an amateur photography who loves Oregon and all the wonderful photo ops it offers! Please join me at http://oregon-photography.blogspot.com/
Article Source: [http://EzineArticles.com/?Learn-HDR-Photography-Using-a-Point-and-Shoot-Camera&id=6639309] Learn HDR Photography Using a Point and Shoot Camera

Nikon D3100 Digital SLR Review - Why This Is The Best

By [http://ezinearticles.com/?expert=Len_Cecchetto]Len Cecchetto Are you looking for a new camera, specifically a Nikon SLR, then maybe you're got your eye on the new Nikon 3100 SLR... a very nice camera. The D3100 has lots of new features that totally enhance this wonderful digital camera to make it one of the best in it's class.
If you are looking at getting into the world of photography, then you want to think about getting a good camera that has a good name, is proven in its field and will last you a long time, also one that is going to give brilliant photo's every time.
Specifically, if you're going to do this seriously, or even just for a hobby, why not get a good quality camera that will server you good for years and take brilliant shots for you every time.
That's not all, there is something different about owning a camera or any other electronic item.
You should be aware that camera's are not like other electronic products, they become a part of you, and you'll find...
Unlike other electronic products, people like to stick with one brand in camera's, you'll find a lot of photography specialists love Nikon, it's because of the quality photo's it produces.
The Nikon d3100 review will highlight some main features that the Nikon d3100 has to offer in the digital SLR range of camera's. We'll be looking at some of the new things that Nikon has included in this new camera.
Nikon is one of the most popular camera's in the world, this is because of it's superior creation and craftsman ship. So if you're looking for a world-class camera then I would definitely consider a Nikon. Specifically, if you like quality and a camera that will last you years with outstanding design and craftsman ship.
Features like video recording, which is great if you like video you can have a camera and video all in the one product.
Here are some highlights of the Nikon D3100....
14.2 megapixel DX format CMOS Image Sensor: This feature delivers for you extremely beautiful pictures bigger than 20x30 inches.
3x18-55 Zoom Nikkor VR Image Stabilizing Lens: This lens has the all famous Nikkor optical quality fast and accurate auto focus for vivid color and superior contrast and crisp detail.
Full 1080p HD Cinematic Video: This is a brilliant feature that you'll just absolutely just love, boasting full=time auto focus, sound, which allows you to record cinematic-quality movies in Full 1080p HD format (1920x1080 pixels).
User Friendly: The easy to use controls makes this camera very easy to use with on board assistance helping you take the best picture possible.
Spit Second Shutter Response: This feature eliminates the frustration of shutter delay, which allows you to capture scenes that other camera's do not.
These are just some of the features of the new Nikon D3100 there are lots more, like a pop up flash etc, this is really a world class camera.
And so why not head on over and take a look at the   Nikon D3100 Review and find out more about this outstanding camera. Click here for more information: http://nikond3100digitalslrreview.net/
Article Source: [http://EzineArticles.com/?Nikon-D3100-Digital-SLR-Review---Why-This-Is-The-Best&id=6645611] Nikon D3100 Digital SLR Review - Why This Is The Best

Photography Views

By [http://ezinearticles.com/?expert=Gary_Davies]Gary Davies
What is the first thing that comes into your mind when you hear the word "photography"? Answers vary depending on the individual person asked the question.
The ordinary person will think of printed photos in postcard size that normally comes out of photo processing machines without specific instructions as to size, personalisation, etc. Other interpretations are of the 1"x1", 2"x2" or passport size black-and-white or colour prints of bust photo that are normally required for official documents for organizational membership, enrolment to schools, passport and visa application, etc.
The photography professional absorbs the term with cameras, lighting, equipment and various accessories that the industry uses all at once. At the back of his mind, alongside the photographic equipment are the subject and media of the pictorial session, schedules and deadlines associated with his line of work and the company he belongs to and his role in the competition across the industry in his locality and beyond.
To the advertising endorser or model, it is the hectic schedule and the glare of photography-inherent bright lights along with the razzle-dazzle of the industry, other beautiful models like herself, agents, managers and photographers who are almost always on their toes issuing instructions and orders that cause her (or him) considerable stress. It is, however, often overshadowed by the glamour and glitz of the industry and the feeling and prospect of stardom she (or he) always dreams about.
The artist thinks of photography as one of his chosen media for his art works that stirs his soul and which he expects to stir the souls of those it reaches in the same manner or in a deeper sense that he so "needs" to project. It is the emotion that is created by his use of the camera that is his strongest motivation.
The entrepreneurial photography enthusiast views photography as a tool for profits. He learns and earns from it. He continually researches, experiments and applies new techniques and technologies that are forever changing. Enterprising as he is, he keeps up with the changing technologies but always acutely keen on its costs and its implications to his ROI. Optimal use and application of whatever technologies he proves to be most cost- and time-efficient is his standard guide and byword.
The pure businessperson does not even care that much about photography. He just deals in trading cameras, zoom lenses, films, photo paper, batteries and battery packs, tripods and other accessories that promise sales and profits. ROI is also his foremost consideration. But unlike the entrepreneurial photography enthusiast, he does not just focus on photography. He sells his photography products alongside school and office supplies and whatever else he deals in that proves profitable business.
Under which type do you fall?
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Article Source: [http://EzineArticles.com/?Photography-Views&id=6646294] Photography Views

Online Portfolios Don't Get You Discovered

By [http://ezinearticles.com/?expert=Guy_S_Hoops]Guy S Hoops
Only knowledge and hard work will
So you have an online portfolio. Great, and not in the sarcastic way, because you need as much exposure as you can get But don't expect to get discovered or famous with a portfolio hosted on Model Mayhem, One Model Place or any of the others. It just doesn't happen.
We are sorry to announce this but, the guys from Ford, Wilhelmina and any other major agency are not surfing the web looking at these sites. You want to model for any of them, you go to a cattle call. If you don't believe us, try to find a single agency model who was discovered on any of these sites.
So what are you supposed to do as a model?
First, don't go tearing down your port. There is a huge use and need for them. This is how you gete some experience, and if you follow our advice it will be good experience. Shooting with a range of photographers, MUA's, etc. will help if you ever do get booked with an agency, but you have to work for that.
Let's stick with the portfolios. Your online portfolio will help you get experience, which is great, but don't expect it to translate into a professional shooting situation. So many photographers do not work in a professional manner in any way, no agreements, no stylist, hair, etc. When you shoot for an ad or a fashion shoot, you have all of these things and more, even if it's a non-paying shoot.
So the point is that these shoots (the ones you find on the MM, OMP, etc., sites) will get you comfortable in front of the camera. They will not get you discovered.
Who uses the online portfolios?
Basically other people in your position. People who are not signed to an agency and if they are signed to an agency and their agency is using one of these sites as their model board, they aren't a large agency, that's for sure.
If you were to go to an agency, who usually don't care if you have a portfolio anyway unless it's full of tear sheets, and try to pull up your Facebook, MM, OMP or any other online portfolio, they may ask you to leave. Ok, they may not ask you to leave, but they will not take you seriously as a model.
What should I do as a Model?
Again, keep your online port to get shoots with other locals, just don't expect it to get you discovered. You absolutely need to have a   rel=nofollow [http://www.thestewartgrouppa.com/indiemodelinsider/yourmodelbook.php]physical portfolio to carry with you to go sees. Even if you're marketing yourself to the local fashion stores, you need to take them a physical port for them to thumb through.
But I've seen real models on (MM, OMP, etc.)
Yes you have and so have we. The difference is that they are already with an agency, so this is secondary to their agency or they are doing this work for fun.
This could also be used to fight fraud. The more images of a model online the less of a chance someone else will claim to be her.
One way to have a legitimate online presence
Create your own site with your own domain (DaisyModel.com) and put your "absolute best" work on there. Then you can send people to your online portfolio with a hope of being taken seriously.
Guy S. Hoops
Publisher [http://www.thestewartgrouppa.com/indiemodelinsider/imiindex.php]Indie Model Insider
Article Source: [http://EzineArticles.com/?Online-Portfolios-Dont-Get-You-Discovered&id=6640004] Online Portfolios Don't Get You Discovered

Managing a Successful Wedding Photography Business

By [http://ezinearticles.com/?expert=Stanley_Matt_Shelton]Stanley Matt Shelton
Managing a successful wedding photography business can be difficult, gratifying and stimulating all at the same time. A wedding photographer should work well under pressure and be accustomed to people's feeling. He must also have impeccable time in order to shoot those precious experiences and also well prepared in all facets of the business.
Wedding photography gives ample possibilities for photographers to develop a good successful profession or merely supplement the images that they passionately pursue but find it hard to fund. Here are easy ways to make you successful in this field:
Collection of brilliant images
Create a powerful collection of wedding images while focusing on creating diverse photos in your portfolio. Take account of images that showcase your technique, unique camera angles, clear backgrounds, a powerful expertise in lighting and knowledge in digital processing and editing. Present your portfolio in an easy and also expert way on your website and in a book or artist's portfolio demonstration for customer meetings.
Experience really count
Have enough experience as a wedding photographer prior to engaging into a wedding photography business. There are lots of ways to shooting a productive wedding and dealing with professional photographer, being an assistant, intern or even second shooter, will give you additional understanding of the business with limited risks.
Wedding photography may be stressful and any error is costly as the day's activities cannot be reshot when mistakes happen.
Advertise the business
Advertising can be a key factor to manage a business that is doing well. Concentrate on an expert presentation in all your marketing and advertising supplies, both in print and on the web. Make use of the same logo, ideally a professionally designed logo, and preserve the same color system throughout your advertising props.
Consistency can strengthen your expert appearance to new clients. Create a web blog regularly of all of the wedding events and any additional projects or even photo shoots that the business generates.
Putting ads through wedding magazines is really a good concept, yet focus on having your work released in specific articles concerning weddings and unique bridal features. Utilize press announcements to contact writers and editors at wedding publications to help get free advertising via editorial exposure of your accomplishments.
Be systematic
Having a well structured studio and digital work flow is important to the daily operations of the photography business. The digital work flow is the actual process of capturing the image file, uploading as well as archiving the file, editing the image, saving and also presenting it to the customer. This must be completed in a planned style and performed in precisely the same way for each wedding.
All images need to be backed up on external hard disks and on the web servers in case some thing occurs to the physical conditions in which the studio is situated. Wedding photos have a monetary worth both to your business and also the client. Keeping it well to preserve the well-being of the images is essential for every wedding photography business.
Stanley Shelton has been serving the South East Michigan community for 35 years with his professional photography. He specializes in [http://www.jandsportraitamerica.com]wedding photography and business events photography. He also covers graduation events, corporate events, portraits photography and sports photography.
Article Source: [http://EzineArticles.com/?Managing-a-Successful-Wedding-Photography-Business&id=6602657] Managing a Successful Wedding Photography Business

Wedding Photography Before and After

By [http://ezinearticles.com/?expert=Rebecca_Dawe]Rebecca Dawe
Ideally, your wedding photos should encompass your special day, capturing all those little details, loving glances and momentous events. But wedding photography isn't all about the actual day. There are plenty of other moments worth capturing over your entire wedding journey. From engagement all the way to your honeymoon, your experiences as a couple are pretty life-changing, and it's fantastic to have professional photos to show for it. Before and after your wedding, you have several big events to go through, and choosing to capture these as well means you can make the magic last that little bit longer!
Before the Wedding
A popular trend at the moment is the engagement shoot. This can be any time before the wedding and is a very relaxed way to enjoy some time together as a couple and start to get excited! The images you take away from an engagement shoot are also pretty much perfect for using in "save-the-date" cards, your invitations and even your wedding decoration.
Then of course there's the hen party and stag do... Perhaps not necessarily something you want photographic proof of, but we can always provide you with a set of 'getting ready' and 'setting off' photos before the real chaos begins!
And for a secret present for your husband-to-be, how about a chic and sexy boudoir portrait photoshoot? Even if you're shy, or nervous, our portrait photographers are experts in making you feel comfortable and will help you to find tasteful and natural poses that will make your fiance's jaw hit the floor!
After the Wedding:
We often attend weddings abroad, and so can double up your   rel=nofollow [http://www.rebeccadawe.com]wedding photography package with a post-wedding honeymoon shoot so you can bring home some stunning professional portrait photos in your idyllic setting.
It's a little bit tragic that beautiful brides only get to wear their wedding dress once... so why not celebrate that fabulous flounce and feel like a princess again by having a "cherish the dress" photoshoot. Choose your location - perhaps on your honeymoon or a place close to your heart - and get posing in your bridalwear! This is a lovely way to have a bit of fun after the wedding and make the most of your special dress. Pose with or without your groom and bridal party, or even be a bit rebellious and have a "trash the dress" shoot instead, getting down and dirty in your wedding gown - jump into a pool, frolic in the sea or recline in crazy positions in the mud! Trash the dress is all about getting a gob-smacking shot!
We are a team of girls working from our Burbage studios... [http://www.rebeccadawe.com]Rebecca Dawe Photography. Our business has grown to be one of the leading cutting edge studios in the area.
Our work is inviting, fresh and creative. We pride ourselves on our diversity and flexibility; we can photograph your wedding, portrait or event in a variety of styles or combinations of them all.
Article Source: [http://EzineArticles.com/?Wedding-Photography-Before-and-After&id=6639191] Wedding Photography Before and After

Tips For Great Photographs

By [http://ezinearticles.com/?expert=Chris_Papciak]Chris Papciak
Tip One: Know Your Subject
Although it might be an obvious step, a lot of people don't seem to think about this before taking photos. You should always determine what the subject of the photo is going to be prior to taking it. If you don't, you end up taking pictures of random things and situations, and they don't always look so good. You should also try to make the picture you capture focus on the subject.
Sometimes the picture you capture doesn't express what you saw in the viewfinder. Let's say you took a picture of Billy playing in the front yard. When you get the prints back and get ready for photo scanning, you still see Billy there, but you also see the bumper of your car, half a bush, a trashcan, and the neighbor's broken gate. This is all a part of knowing what your subject is. The viewer of your image should not struggle to figure out exactly what the photo is supposed to be of.
Tip Two: Draw Attention to Your Subject
Now that we have established the subject of the photo, it's time to draw attention to your subject. The easiest way to do this is to fill the frame with your subject. This technique obviously draws attention to your subject, because it's the only one in the photo! The neat thing is that this trick will work with any camera at any time. Just fill up the viewfinder and snap away. So remember to draw attention to your subject whenever you look in the viewfinder. You can even ask yourself: "Does the image I see draw attention to my subject?" and ask, "Do I see anything in the frame that might distract the eye of the viewer from my subject?"
Tip Three: Simplify Your Image
Now that the first two steps have been applied, it's now time for the third, and sometimes most effective tip. You want to keep your images simple, especially if focusing on a single subject. Before taking the photo, look through the viewfinder and look for any objects that might be distracting or might draw attention away from the subject. This mostly applies to objects along the edges of the frame that might lead viewers eyes away from the subject. If you notice something, get rid of it! This can be done by moving the object out of the range of view. If it's not movable, try moving your camera! Create different angles and try different areas to get that beautiful shot. If those two tricks don't work out, then you could always try to move your subject.
Chris Papciak has been working with computers and media for over 15 years. He has extensive knowledge in the field of computer hardware, peripherals and consumer electronics. He has spent countless hours helping families with [http://www.dvdyourmemories.com/services/slide-scanning]Slide Scanning to DVD transfers in order to preserve their families memories for lifetimes. He is also experienced with converting [http://www.dvdyourmemories.com/services/photo-scanning/]Scan Photos to DVD, and image and slide scanning.
Article Source: [http://EzineArticles.com/?Tips-For-Great-Photographs&id=6647136] Tips For Great Photographs

How Does A Sedona Photographer Captures Nature Through Their Lens?

By [http://ezinearticles.com/?expert=Natile_Freeman]Natile Freeman
'The Red Rock City' title pretty much says it all. Sedona was given this name for good reason. Nowhere else can compare to views of red buttes and monoliths like those found here. People from all around come to capture their beauty. Sedona photography offers the chance to take home a little piece of awe-inspiring nature.
Within such a small area, this town provides so much natural beauty. From Red Rock State Park to Oak Creek Canyon and more, every way a photographer turns there is a picture that can be taken. Whether an amateur or a professional, the area's backdrop provides so much that shooting a breathtaking picture is practically guaranteed.
Red Rock State Park is well know and well visited for a reason. The amazing colors that reflect off these rocks is truly amazing. Take a hike and the photo opportunities just won't stop. Travel down the Javeline Trail and Capture the 3 Sisters formation. Tour around and snap one of the 7 Warriors. Don't miss the well know Cathedral Rock. Take a moonlit hike and shoot the same sights and they will look completely different.
Travel over to Oak Creek Canyon and don't forget that camera. A smaller version of the Grand Canyon, this area offers scenic views of color and amazing rock formations as well as its picturesque waterway. Visit during the fall season and be struck by the beauty of the changing colors against the dazzling backdrop.
Near by is the Munds Mountain Wilderness area. From the canyon floor, capture the magnificence of the red rocks from a totally different view. While getting astounding shots of Courthouse Butte and Bell Rock, the area's most well know formations, feel the energy that many locals and visitors alike attest to being found there.
Don't forget the wildlife. All throughout the area there will be no difficulty in spotting a bird or animal to snap a picture of. With the changing seasons, photographers are given the chance to view black hawks, blue heron, mule deer, beavers, otters, bald eagles, coyote and so many more.
Sedona photography offers and endless supply of magnificent picture opportunities. There is beauty in the area that photographers will find around every corner and every bend. Strap on some hiking boots or hop in a car and travel the many trails and roadways that provide views that can't be matched. Grab that camera and capture mother nature as it was meant to be enjoyed.
Now that you're a little more familiar about [http://www.angelinarosephotography.com/blog/az-weddings/sedona-bridal-shoot-sedona-photographer/]Sedona photography, you can find some of the best photos taken of Sedona at [http://www.angelinarosephotography.com]http://www.angelinarosephotography.com. The Sedona photographer that took the pictures has really been able to capture some great moments.
Article Source: [http://EzineArticles.com/?How-Does-A-Sedona-Photographer-Captures-Nature-Through-Their-Lens?&id=6635398] How Does A Sedona Photographer Captures Nature Through Their Lens?

Aspiring Professional Photographers

By [http://ezinearticles.com/?expert=Brandon_S_Mcbride]Brandon S Mcbride
Are you thinking about getting into wedding photography? Are you actually thinking about getting into photography in general? The old saying goes, photographers are a dime a dozen! But what does that mean for you as a start up photographer wanting to break into the industry?
There are a few things you need to know before starting your photography ventures. The first being, are you really going to devote yourself to the necessary learning and practice that it takes to become a professional photographer? Do you even have a creative eye, or are you just entertaining the idea of having a creative eye? The truth is, most people do have ample capacity for creativity, but not everyone's is suited in the same genre of expertise. Some people may have a creative ear, others a creative hand, and some a creative eye. Are you someone who can see with creativity? Don't kid yourself. Be up front and brutal about who you are and if you're even cut out for photography because not everyone is, and yet, it is still highly competitive.
How are you with your composition? Do you get good angles? Do you capture the right moments? Of course, different types of photography require different mindsets. Portrait photography requires more posing and you can take your time, but wedding photography puts the pressure on. Either way, you still have to be able to capture those angles and be able to pose people for the right effect in front of the camera! You can definitely tell how good a photographer is by how beautiful their pictures come out, but don't be totally naive. Photographers do have to have the eye, but some post shoot editing always comes into play. If you're really thinking about getting up there with the big boys you're going to have to get a photo editing software. The most popular is Light Room 3 by Adobe (who else!). But you're best shot is still to get as good as can pre-editing so editing takes less time and it says more about your photography!
The third thing you're going to want to know about is how to differentiate yourself from the rest of the photographers in your area, and so being, in your target market. How are you going to beat the competition? Is it going to be through awesome ability? Talent can get you places, but unfortunately that's for the top 1%. Even if you do have talent, you're going to have to market yourself in way that says "I'm the best", "I'm unique", "I deliver high quality". Like i said before, being talented in this industry just isn't enough to get you noticed. It's going to take marketing, and unless you want to take a long time to get noticed, it's going to take aggressive, creative marketing, as well as fundamental internet marketing. Word of mouth is the most common form of photography marketing and it tends to capture different social circles, leaving no monopoly for any 1 photographer. Get creative! You have to get yourself noticed!
Camarie Photography | LIFE.LOVE.FAMILY
Website: http://camarie-photography.com/
Orange County: http://camarie-photography.com/wedding-photography-pictures-photographer-orange-county-riverside-san-bernadino-southern-california/
Article Source: [http://EzineArticles.com/?Aspiring-Professional-Photographers&id=6642630] Aspiring Professional Photographers

A Scary Tale of Loss and Tragedy - Backup and Archiving Demystified Part 1 of 3

By [http://ezinearticles.com/?expert=Frank_Myers]Frank Myers
Imagine it is late one evening, a cold wind is howling outside your window and you have been chained to your computer, editing all day, feverishly working on customer images to meet a looming deadline. Okay I know this might seem like the scary part of the story, it is not. You have worked on hundreds of images during the day and BAM! your drive fails. Insert scream of terror here, this is the scary part. If you are working on a single drive now the weeping, pounding on the table and wails of despair would begin. Eventually your tears would dry and you would be faced with the cold hard reality that you will need to restore the files from your backup. Which means those long hours spent working were for naught and those beautiful edits will have to be done all over again. So you revert into a catatonic state until morning where, like Bill Murray in groundhog day, you repeat the previous 24 hours.
But wait this doesn't have to be a horror story. If you were working on a RAID array the drive could fail and you might not even notice it! Then you could calmly plug in a new drive and continue working while the array remirrors and you are once again protected from a drive failure.
The most common mistake I see photographers make in their image protection strategy is to use a RAID array for their archival storage and to use a single drive for their working files. This may seem counter-intuitive but the best use of RAID is for maintaining your working image files, not for your archival storage. Let me repeat, RAID is best used for your working files and use regular storage for your long-term archive. Why? It is simple. RAID automatically updates all copies of your files on the drives every time you use them, so your changes are protected at all times.
Which RAID is right for me?
It seems there is more confusion about RAID technology than just about any technology we photographers are faced with. RAID, which stands for Redundant Array of Independent Disks, is geek speak for technology that maintains copies of your image files on more than one disk so that if a drive fails your images are not lost. That is it plain and simple.
RAID 1
The original RAID is called RAID 1 and is a two-drive array that makes a copy of every file onto both disks. This is commonly called mirroring, because the drives are mirror images. This is the simplest form of RAID but also the most costly, since you have to buy double the storage to support RAID 1.
RAID 5
RAID is the next most common form of RAID where data is striped across a greater number of drives optimally 4 or more. This method is not mirror images but copies of the files are distributed across all of the drives so that if any 1 drive fails the array can be "rebuilt" by the remaining drives. Just stick in a new drive and in an hour (or a few) you have a protected array once again. A four drive array means that you will have 75% of the storage available for you to use instead of the 50% used by RAID 1.
What about RAID 10 and other variants?
There are other variants of RAID, most notably RAID 10, that are emerging but these are generally best used for more specialized applications like relational databases and are likely overkill for the general photography studio.
Which type is right for me?
RAID arrays can be certainly to setup on internal drives in both Mac Pros and most PC tower systems, but that approach can often limit your ability to expand the array. In addition you have to open up the machine and replace the drive if there is a failure, or take it somewhere to be serviced. Most external RAID arrays are designed for "plug and play" operations and the drive replacement is simple enough for even the most non-tech savvy user. This is the easiest and most flexible choice for most photographers. The type of connection is also important especially if you are using the array for working files as I have recommended. A standard USB 2.0 connection is just too slow for most people. In the Mac world the new thunderbolt drives are wicked fast and blow everything else away, but of course that is a new technology and you have to have the latest and greatest machines and drives to use it. The table below shows the major connection type in order of the practical speed they achieve in benchmarks. (The higher the number the better)
Thunderbolt - 177 MB/s
eSata* - 100 MB/s
Firewire800 - 78 MB/s
Firewire400 - 35 MB/s
USB 2.0 - 29 MB/s
*note that most machines will require a card to be installed in the computer for an eSata drive.
Backups who need backups
I am guessing that more than a few of you are thinking, since there is less than a 1% chance that both drives in a RAID 1 array would fail simultaneously, doesn't this mean I don't need to make backups anymore? Now I am getting scared! No there are so many things that can still go wrong that RAID doesn't protect against like file corruption, catastrophic controller failure in addition to the very rare case where more than one drive fails at the same time. Please make regular backups and have an offsite strategy, but wait that is the topic of discussion for part 2 in this tale of loss and tragedy.
Frank Myers
Co-owner of Sweet Life Photography http://www.sweetlifephoto.com
Article Source: [http://EzineArticles.com/?A-Scary-Tale-of-Loss-and-Tragedy---Backup-and-Archiving-Demystified-Part-1-of-3&id=6639655] A Scary Tale of Loss and Tragedy - Backup and Archiving Demystified Part 1 of 3

Photographic And Video Lighting: The ABC's

By [http://ezinearticles.com/?expert=Joseph_Valentinetti]Joseph Valentinetti
Before we talk about photographic and video lighting let me briefly introduce another concept: f-stops. Around the lens, on a ring, or in the viewfinder of all non point and shoot cameras there is an array of numbers called f-stops that can be selected. F, in this case, stands for focal length. Here is a partial listing of the array and what it looks like:
f 2.8 4 5.6 8 11 16 22
These stops control the aperture or opening of the lens; how much light hits the film or sensors. F4 lets in half the light of f2.8. f5.6 lets in half the light of f4 and so on.
Now to the photographic and video lighting part: A basic, talking head, photographic and video lighting set-up consists of three lights:
The Key or main light
The Fill or supplemental light
and, The Highlighter.
For the sake of discussion let's say all three lights are the same number of watts, the same brightness. From the camera position, facing the subject, the Key light is usually placed to the cameras left about 22 degrees. The fill light is usually placed to the right at about 22 degree. The fill light should be one half the brightness of the Key light. How do you accurately do that if they are both are the same brightness? It's simple, put the fill light further away than the key light. But how much further away should it be? Now it gets really simple. Refer to the list of f-stops above. Now let's think of the F as meaning feet instead of focal length. If your Key light is 4 feet away than placing your fill light at 5.6 feet makes the brightness of it half as bright on the subject as the Key light. This is a 2 to 1 lighting ratio. Want more dramatic effects? Move you Fill Light to eight feet away, or two foot-stops from f4, for a 3 to 1 lighting ratio.
The Highlighter is placed behind and to the right or left of the subject. It may be shined on the hair to give highlights there or on the shoulders to give separation from the background or on the background itself to add depth to the image. Use the Highlighter at less or equal to the distance of the Key light.
If you can remember the simple array of numbers above you can be successful at basic photographic and video lighting techniques without any guess work. Other photographic and video lighting questions include whether to use short or long lighting, butterfly or cameo lighting, high key or low key lighting, but first master the basics. Some people say creativity happens by luck or chance. Creativity comes from knowing the rules and manipulating them. I like what the photographer Ansel Adams said: Chance favors the prepared mind.
Good luck, and, shine on brightly.
Joseph Valentinetti is an author of novels: fiction and fiction based on fact. He writes articles on a variety of subjects, from impressions of travel spots to speculating about the name of the moon, but his focus is on his writing and author interviews. Get better acquainted at [http://www.valentinetti.com]http://www.valentinetti.com. Join his site, pick up his feed and become part of the dialog. Read A Book.
Article Source: [http://EzineArticles.com/?Photographic-And-Video-Lighting:-The-ABCs&id=6643752] Photographic And Video Lighting: The ABC's

How to Take Great Pet Portraits

By [http://ezinearticles.com/?expert=Ronan_Le_Breton]Ronan Le Breton
Pets are the cynosure of our eyes, whether they be canaries, cats, dogs, rabbits or any other animal. They love us in a most complete way, and we love them back the same way. Capturing timeless pet portraits is a great way to treasure your companionship for many years to come. Though we may click away our pet's portraits, there are very few photographs that remain timeless for us. Here are five ways through which you can improve the quality of your pet's portraits.
Face to face
Most pet photographs tend to be taken from a human viewpoint at that height. However, for a change, it may be good to kneel down and take a portrait from the pet's level. This approach helps to better capture your pet's eyes and eliminate the background clutter.
Use lighting to your advantage
Most pet portraits get taken within the comfort of one's home using artificial lighting. We also tend to rely heavily on the flash, the lighting from which not only creates the red eye effect but often also startles/ frightens the pet from giving more photos. Expert photographers thus suggest that you use the natural light available for your advantage. The early morning light and the evening light offer good scope for great portraits. Try to take pictures out of your home, in safe surroundings.
Use camera settings wisely
Most cameras today are equipped with high end features that allow scope for a wide array of adjustments. However, we are often unaware of how these settings can help us take good portraits. For pet portraits, experts advise that you adjust the shutter speed to a higher level. As pets are quick to move and can't sit still for long, this feature can be of great help.
Have patience
One needs to practice extreme patience while taking photos of animals. That is because animals seldom sit still to give the perfect pose. You may need to take many shots, before you find one that is perfect for your requirements. Cranky, irritable or unwell animals may also refuse to pose for photos. Take snaps only when your pet is healthy, active and well fed.
Use effects to your advantage
If you are still unhappy with the kind of effects created by the digital photo, it is time to try out new photo portrait styles. You can consider converting your pet's photograph into a pop art style such as monochromatic, classic Warhol or even a comic Lichtenstein. Ready-made software available off the Internet can help you achieve so too at less costs. However, if you want a professionally done job, you can work with pop art studios to design the required look. These studios will give you the finished portrait, on mediums of your choice, ready to display wherever you require.
Pet portraits are commonly invested in today, as timeless pieces that capture your best moments with the pet. While these can focus just on the pet, you can also take portraits with you and your pet, a great way to show the wonderful bond you share. If you are looking for professional support, do check out questions that you need to ask. Pop arting such portraits looks great, and can create fabulous results from the innumerable styles.
Ronan Le Breton is a Bali based professional pop art artist, who also manages operations of a pop art studio. Various artists work together to create pop art impressions. Works are on display at [http://www.personal-art.me.uk]http://www.personal-art.me.uk.
Article Source: [http://EzineArticles.com/?How-to-Take-Great-Pet-Portraits&id=6638239] How to Take Great Pet Portraits

Landscape Photography Tips and Tricks to Achieve Professional Results!

By [http://ezinearticles.com/?expert=Ricardo_Manuel_Da_Cunha]Ricardo Manuel Da Cunha
10 Tips and Tricks for the Beginner
1. Shoot close to sunrise and sunset to achieve more balanced exposures. Shooting during the harsh daylight produces very contrasty light and is difficult to capture details in both the shadow and highlight areas. If it's one thing you take away from this guide it should be this!
2. Compose an image to exclude more and include less; remove any element that does not add to the image. Simplicity is often the key!
3. Shoot in RAW format for maximum quality if any post production editing will be performed later. This is really a big deal!
4. Switch to manual focus and focus one-third of the way into a scene and do not use the smallest aperture of the lens (i.e. f/22). Instead use at least 2-3 stops up from the smallest opening in order to achieve sharper images
5. Use a remote cable release or the self timer in addition to a tripod to increase sharpness. This makes such a big different especially when long exposures are required! To increase sharpness even further, engage the camera's mirror lock-up feature if it comes with one
6. Use Live View in conjunction with full magnification to manually focus. Thank god for Live View!
7. Shoot waterfalls under overcast conditions in order to allow the shutter to remain open for longer in order to achieve that nice silky water movement that you see so often and wonder how it is done! Alternatively, shoot in shutter priority mode (Tv) and dial in a shutter speed of at least 1/15 seconds or better still use an ND filter to achieve the same effect!
8. To achieve turquoise blue water, shoot when the sun is directly positioned overhead; i.e. around midday
9. Compose a scene with naturally occurring lead-in lines within the foreground and use them to guide the viewer to the main subject. An interesting but not dominant foreground also give the image depth
10. Shoot at the lowest possible ISO (i.e. 100) to produce the best possible quality images. Using a tripod will be a big advantage!
10 Tips and Tricks for the more Advanced
1. Expose to the right. What does this mean? Using a digital camera's histogram, ensure that the range of tonnes are pushed as far as they can go to the right-hand side of the histogram graph without touching the right-side. Doing this will increase the amount of information recorded in the image and therefore quality!
2. Don't just rely on a single capture to create an image. Taking two or three different exposures and blend them together later in Photoshop by combining the best elements of each. Yep - this is a big secret by the pros!
3. Wherever possible, try to avoid using filters as filters typically soften images and therefore reduce sharpness. As an example, instead of using ND graduated filters capture one image exposed for the foreground and another for the sky and then blend them in Photoshop. If you need to use a filter to achieve an effect (i.e. using an ND filter to achieve a silky water affect) then take a separate image without the filter and another with the filter applied and blend in those areas containing all of the juicy detail that you're after!
4. Always do your homework on a location in preparation for a shoot and if possible ensure that you have visited the location to pre-visualise the optimum composition. Pre-visualise also how the scene would appear under the optimum lighting conditions and then return well in advance of the optimum lighting arriving (i.e. sunset). Use the harsh daylight hours to perform your homework on a location
5. Take multiple captures of water movement until the optimum water movement has been captured. If the water movement is to slow, increase the speed of the ISO and vice versa. Adjusting the ISO only ensures that not only the exposure is left in tact but also the depth of field!
6. Capture panoramic images by stitching multiple image captures together. Ensure that the camera is set to manual shooting mode, manual white balance, manual focus, overlap each image segment by approx 30% and ensure the tripod is perfectly level. Positioning the camera in a portrait orientation will also give you more scope when it comes to cropping!
7. In tricky lighting conditions, experiment using different metering modes rather than always rely on the Evaluative/Matrix metering mode to determine the correct exposure. For example, use the Centre Weighted or Spot metering mode
8. To yield optimum depth of field, use hyperfocal focusing by identifying the hyperfocal distance using both the lens focal length and aperture and then focusing on the hyperfocal distance
9. To further improve depth of field and sharpness and get images appearing tact sharp from the near foreground to the distant background, capture two separate images with the first focused on an element in the foreground and the second on an element in the background. Then blend the two images together later in Photoshop. Photoshop makes this easy by automatically selecting the sharpest sections of both images and combining them!
10. Use The Photographer's Ephemeris to research locations to shoot in advance and easily identify sunrise and sunset times at any time of the year for a specific location. This tool is a must have and best of all it's completely free!
Ricardo Da Cunha - Australian Landscape Photographer http://www.ricardodacunha.com.au
Found this free information useful and want to learn more or expand on any of the tips above? Why not book a short private one-on-one photography tuition session or a course?
-Private tuition and in the field and post production courses available -Completely customised for your needs and skill level -Detailed course booklet provided for your further reference and development -No equipment necessary -Access to all of the knowledge and techniques that I apply in my very own workflow
Learn more at: http://www.ricardodacunha.com.au/landscape-photography-courses/
Article Source: [http://EzineArticles.com/?Landscape-Photography-Tips-and-Tricks-to-Achieve-Professional-Results!&id=6627432] Landscape Photography Tips and Tricks to Achieve Professional Results!

Why Use A Tripod?

By [http://ezinearticles.com/?expert=Jay_Finks]Jay Finks
In the field of photography, a tripod is a support device utilized to both elevate and stabilize a camera. Flashes and other photographic accessories may also be supported by it. All tripods for photography feature a mounting head and three legs. They are commonly constructed out of plastic, wood, carbon fiber, aluminum or steel. Why use a tripod? There are several different reasons, but here are the 6 main reasons why you should use one:
1. One of the most popular reasons to use a tripod are the benefits it gives to image quality. Photographers using a tripod are able to keep their camera steady. This makes it easier to get a good shot, thus enhancing the image quality. Image quality also benefits from a tripod's leg locks, which lock its legs in place to allow photographers to get a clear shot of their subject.
2. A tripod improves the support and stability while taking a shot with a camera. Lack of support and stability can result in blurry images, as the camera may inadvertently move while a shot is taken. This feature of a tripod is particularly important to photographers who are out in the field, where they have to deal with uneven or rugged terrain.
3. Photographers appreciate the flexibility that a tripod affords them. Flexibility is a quality that makes one's camera easier to use. Taking outdoor shots often requires that photographers have the ability to quickly change the angle of their shot. The tripod allows for this.
4. Sometimes, photographers have to obtain extreme close-ups of their subjects. This is particularly true in outdoor and nature photography, where there subjects may be a ways off. Having a tripod supporting the camera allows one to take extreme close-ups with greater confidence.
5. Successful focusing and framing of the camera constitute another reason for the use of a tripod, particularly in wildlife photography. A tripod allows photographers to pre-focus on a certain, single spot. This is also made possible due to the extra steadiness that a tripod provides.
6. When photographers take panoramic shots, they may want to stitch them together. A tripod enhances the ability of a photographer to do this. It provides the precision that such a process requires.
Using a tripod makes a lot of sense for photographers. It enables them to get stability, flexibility, superior image quality, good focusing, extreme close-ups and even precision panoramic shots. It allows photographers to obtain these things in all sorts of shooting locations and various conditions of light.
Jay Finks is an avid online researcher and loves discovering new and exciting products and industries online. Through his research he stumbled upon the [http://www.vanguardtripods.com]Vanguard tripod series and found these products to be of the highest quality. For those photographers looking to capture the moment, as they see it, learn more about us benefits of using a tripod at [http://www.vanguardtripods.com]http://www.VanguardTripods.com.
Article Source: [http://EzineArticles.com/?Why-Use-A-Tripod?&id=6646459] Why Use A Tripod?